Q. How do I create a new layer?
A. Click Create new layer in the bottom side or
click File -> Click NEW ->Writing Name of layer and Width and Height-> click OK.
Q. How do rename a layer?
A. Click Layer's name two times quickly.->writing new name-> hit enter.
Q. How do I convert a locked layer to a regular layer?
A. Click lock and hang on->put lock into wastebasket image sign.
Q. How do I duplicate a layer?
A. Click layer->Click right side of mouse->Click Duplicate layer->writhing name of it-> hit ok.
Q. How do I move a layer up or down in the layer Stack?
A. Click one layer-> move to up or down of other layers.
Q. How do I select multiple layers at once?
A. Click one layer->hold Ctrl -> Click other layers.
Monday, 31 March 2014
Monday, 10 March 2014
Idris Khan -hye soo kim
Khan’s mindset is more painterly than photographic, he often employs the tools of photomechanical reproduction to create his work. Photographing or scanning from secondary source material–sheet music, pages from the Qur’an, reproductions of late Caravaggio paintings–he then builds up the layers of scans digitally, which allows him to meticulously control minute variances in contrast, brightness and opacity. The resultant images are often large-scale C-prints with surfaces that have a remarkable optical intensity.and he was working many photograhpy with Hilla Becher. his photo is very special because it's very Fresh and looks like dark pencil skectch.It's very interesting and good shape photo.
Bernd & Hilla Becher - hye soo kim
Over the past four decades, produced images of industrial landmarks, which at one time stood for the technological triumphs of the industrial age. Bechers’ artistic collaboration in the 1960s and 70s, including key images of the gas tanks, blast furnaces, cooling towers, coal mines structures, framework houses, lime kilns and water towers. Shot in a rigorous, standardized format, where the subject is presented without the typical play of shadow and light, camera angles or dramatic compositions, the Bechers give us a very unglamorous, systematic view of these industrial artifacts. Their commitment to pure objectivity focuses on the anonymity of this form of architecture, allowing only the name of the structure and the date it was shot in the final title. Becher's photo look like very old fashion and modern and her photo has good shape very interesting.
Friday, 7 March 2014
Wednesday, 5 March 2014
Tuesday, 4 March 2014
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